Tuesday, March 31, 2015

Profile Post


Finally. Someone who really hit the jackpot in explaining the role of stereotyping in entertainment... ingridxgarnica… created a short but extremely significant blog about the racial stereotyping of minorities on television! Though she hasn’t revealed a lot of personal information like her age, occupation, whereabouts, etc., she seems to be interested in the exact same thing that I am: how ethnic minorities are portrayed differently in television than are white Americans. She describes how and where it exists, what it means and what its consequences are. She is definitely an avid TV watcher as her blog addresses three/four very different TV shows: The Big Bang Theory, Flavor of Love (in comparison with The Bachelor), and Shark Tank… it’s important to note here that she makes the point that they all fall under the genre of "reality" TV when she examines the portrayal of ethnic minorities in each… Well I overlooked that one as I’m sure many people overlook that “reality” has many forms and dominates TV. She also shows that these shows are statistically considered to be some of the most watched shows on PrimeTime television, which makes her analysis of these particular shows more relevant than any other show because many Americans are familiar with them and could learn a lot about how stereotyping affects each and every one of them.

She begins every post with the notion that viewers are the ones to decide whether minorities remain victims of racial stereotyping... but she then asserts her own opinion on the matter by drawing single conclusions and offering no possible counterpoints. She very much believes, like me, that in Hollywood's decision to add or create diversity in Caucasian-based TV shows, minorities in entertainment fall victim to being type-cast as either "comic relief" or as people that possess an inherent character flaw that mainstream, "normal" Caucasians don’t. She validates this point by referencing Marxist thinker Antonio Gramsci's philosophy of cultural hegemonry, where members of the lower class in society accept the position that they are given by members of the upper class. In these perceived "reality shows," problems arise because audiences not only believe that what they see is a reality because it’s a “reality show,” but because the minority characters portrayed themselves believe and accept the roles given to them by the "majority," or the "upper class," or Hollywood and its writers and producers.

Her first post: 2012: Is Prime Time TV Ready to Stop Racial Stereotyping, Part 1 discusses the role of the Indian character Rajesh "Raj" Ramayan Koothrapalli on The Big Bang Theory.  She begins by describing the story of the series: a bunch of hyper-intelligent nerds who work at Cal Tech, form a friend group because they are so similar in their social awkwardness and gaming and comic interests. Originally a group of three, Raj was added as a fourth because, according to Sheldon in an early episode in Season 1 called The Irish Pub Forumulation, (according to the character created by writer, Chuck Lorre) Raj provides "diversity" and is needed to form an even numbered group of four needed to play the games that the other three were interested in playing, she mentions. It’s implied that he is an outsider from the beginning. She then discusses the discrepancies of each of the other characters in the group with vivid detail, and then their relation to Raj. For example, she says "Sheldon", the self-proclaimed ringleader of the group and expert of knowledge in all things also happens to believe he knows more about Indian culture than 'Raj' himself." She gives visual examples of this through YouTube Links. Each of the characters she mentions are able to torment Raj based on his cultural identity and background, but the reverse never happens, nor does Raj stand up for himself. He accepts his place instead. She also doesn’t fail to mention that he has an illness of being unable to speak with women or socialize unless under the influence of alcohol, which makes him a social outsider even though he is technically "part of the group." She provides evidence of this with another YouTube link from another episode. She concludes with the fact that because Raj accepts his place, and because he will never reach equal status with his friends though he is of equal academic intelligence, Hollywood is successful in perpetuating racial stereotypes and attacking minority groups. Honestly I myself have forgotten that Raj is of equal intelligence because he just accepts his place and doesn’t reassert his authority, and now that ingridxgarnica points it, I realize the extent to which he is negatively stereotyped and the extent to which people can easily overlook that.

Through her description of the negative racial stereotyping that exists in Big Bang Theory, and The Bachelor and A Flavor of Love in the other post she had written, it’s clear that Hollywood seems to be racist in its ambition of creating "diversity." However she offers a positive example of racial representation on television in her analysis of the show, Shark Tank, which tells me that she acknowledges the change that she advocates for. Shark Tank is a show that centers around entrepreneurs showcasing their ideas and projects for 5 self-made multi-millionaire and billionaire investors. The addition of investor Daymond John, an African-American self-made millionaire who is educated and well respected just like his fellow Caucasian investors beside him is wholly beneficial. She provides evidence with yet another YouTube link of how the other investors respect him and choose to collaborate with him for future projects. This reflects the positive portrayal of minorities on television as they are seen as being equal to the white “majority.” She compares this to her post about Raj in The Big Bang Theory, who does not stand on equal ground with his friends. Though these are two drastically different shows, as the Big Bang Theory can be seen as more of a fictional comedy whose intention is to provide comic relief whereas Shark Tank features real-time investors that take their respected professions very seriously, the point she makes is clear and valid – minorities must be considered equal to the majority group in order to avoid unjust racial discrimination.

What is most remarkable about her is that she's very successful in making her points concrete by providing footage from the clips she references. We are not only able to read what she is referencing but we can see exactly how it is manifested. The entire layout of her blog itself is in black and white. The background is entirely black and the words are white, which is ironically the opposite of what we are used to viewing: a plain white background with dark, black writing such as Microsoft Word, for example, or this very template that I am using to type this blog which actually makes what I’m seeing and doing more legible and this brings me to the next point. It was almost difficult to read the blog, it gave me a sense of a skewed reality, but this reflects exactly what she is talking about... white words dominating a black background. I like her a lot because she is not only very interested in understanding how stereotyping exists and manifests itself on TV… something we can see through her meticulous analysis of each of these shows, but because by providing her own thoughts and opinions on the matter, she is clearly very passionate about eliminating the negative impacts of stereotyping and supportive and promotive of more positive, beneficial portrayals of diversity on TV.

Friday, March 6, 2015

Social Bookmarking Soulmate

I was browsing through citeulike and came across Randomaxes' resourceful library... Among many other topics, he's bookmarked a plethora of articles that deal with origin and nature of television culture and other digital media: how TV has developed over time, how it has become so mainstream, how it will develop and revolutionize, the implications of specific TV content such as reality shows, and its impact on culture and society of yesterday and today. Some sources include Television After TV: Essays on a Medium in Transition, Inside PrimeTime, Cable Television U.S.A.: An Analysis of Government Policy, The Essential HBO Reader, Gay TV and Straight America, Public Television and the Public Sphere, Television will be Revolutionized, Redesigning Women.

This is all very relevant in understanding how and why stereotyping in television and then on film occurs and exists, how it continues to spread via technology, and how it affects consumer audiences in the same way that other aspects of television and the media do as well. It also gives us so more much insight into how stereotyping itself can change now and could change in the future not only by the way people represent and are made to represent themselves on film and TV, but by the ways in which people perceive what they see on TV (not just from a production or directing stand point) but from a standpoint of how and when people watch film and TV and the psychology of how film and TV affects them at that specific time and place.

One article entitled Stereotyping or Success? examines the evolution of "minority characters"  in entertainment, specifically gay, lesbians, and bi-sexuals. Apparently there are three historical stages of television: The Stereotypic Age, The New Awareness, and Stabilization. While blacks have advanced pretty far into Stabilization, gays, lesbians, and bi-sexuals, who are only just now being adequately represented on television are still being ridiculed and very few are respected. They are therefore just overcoming the Stereotypic Age. This gives us hope for ethnic minorities as well. Yet it seems to be that it is those that prominently and continuously recur in entertainment that will continue to progress... Because Black Americans have appeared on film and television very close to its inception, are they able to break such boundaries. However with the progression of digital media and film and television in general, as now a large percentage of the U.S. population along make, watch and become a part of television on a day to day basis (almost every person you and I both know owns one or two television sets or a Netflix account) there is tremendous hope that progress will be made much sooner, but again, it is important that for that to occur, minorities must really insert themselves into the film and television industry so that they are adequately represented and will continue to be represented in the right way.

This evolution of television and television culture in its efforts to cater to a consistently changing (diversifying) audience makes it much easier to understand how stereotyping existed and how it exists today.